Showing posts with label cocktails. Show all posts
Showing posts with label cocktails. Show all posts

10.19.2014

the dirty banana


The first full day we were in Jamaica, we asked one of our waitresses ("String Bean" read her name tag) what she recommended for a drink that was strong and wasn't too sweet. She suggested a Dirty Banana (which wasn't on the menu) and we said okay without asking what was in it - and it was perfect, and I drank about a million of them before we left, and I don't even like bananas.

I made sure to spy on how they made it and wrote it down for when I came home - although since they just tended to throw ingredients together without measuring, it's taken me some time to perfect the proportions. Naturally the next step was to share them with you, dear reader.

Dirty Banana 

2 oz gold or dark rum (we've been using Appleton)
2 oz rum cream (the Caribbean version of Bailey's - we brought Sangster's back with us, but as it's not available in the States, you'll have to make do with whatever they have at Total Wine)
1/2 oz creme de cacao
1/2 oz simple syrup
1/2 ripe banana
ice 
Throw all ingredients in a blender. Add ice till the three cup mark; blend until smooth. Makes 2. 


12.17.2012

things I like this week, vol. 37


James Franco's Ideal Bookshelf.

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Machu Picchu in 16 Gigapixels.

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Life is transitory.

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First, when you're developing a custom fragrance, it’s about really listening to the client. I ask about their past, where they are, where they want to be—so that I can really try to distill their story down to its essence. Then I select, and we explore oils with histories and stories that might resonate with this essence of the client, really bring out its beauty, its complexity. I mean, you can't have reverence if there's no history, no intention. You may like vanilla, for example—but why, how? Ultimately, I look for a real context and concept for the fragrance composition in the layers of these relationships between the plants’ essences and the client’s essence. so that the fragrance becomes the way they all connect. This connection is so layered and meaningful that when the client smells or wears it, they really feel something special, something no longer ordinary . . .
- Haley Alexander Von Oosten, as told to ITG

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Here.

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"The Last Smoke," available as a poster, which I want.

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 And other smoky cocktail, this one easy enough that I might try, from here:

Hazy Whiskey Cocktail by Gather Journal
A couple of whole cloves
1/2 stick cinnamon, broken into pieces
2 oz rye whiskey
1/2 oz B+B liquer
1 dash Angostura bitters
1 strip orange zest
1. Chill a snifter or tumbler in the freezer for 10 minutes.
2. Place the cloves an cinnamon on a small heatproof plate. Using a kitchen torch or a butane lighter, burn the spices until they begin to smoke. Invert the chilled glass over the spices to trap the smoke.
3. Combine the whiskey, B+B and bitters in a separate ice filled glass. Stir. Flip over the smoky glass and strain the mixture into it. Add the orange zest. Drink. Enjoy. Repeat.

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Another 20x200: The White Oaks.
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Iman on the subjects of her hairdresser and parenting:
But he does my daughter’s hair also, because she’s the same as me. Actually, he came in and gave her a few fuchsia streaks in her hair. I’m cool with the fuchsia streaks. And my husband [David Bowie] can’t say anything! Once, my daughter saw the pictures of Ziggy Stardust and she said, ‘Why are you wearing makeup?’ And he was like, ‘Why didn’t she say anything about my hair?’ [Laughs] He just said, ‘It was the ‘70s.’ We all tell her, ‘Oh, it was the ‘70s!’—we tell her that for anything! She’ll say, ‘Oh, you smoked,’ and we say, ‘It was the ‘70s.’ [Laughs]
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Christmas decorating of all kinds.
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When I am working on a book or a story I write every morning as soon after first light as possible. There is no one to disturb you and it is cool or cold and you come to your work and warm as you write. You read what you have written and, as you always stop when you know what is going to happen next, you go on from there. You write until you come to a place where you still have your juice and know what will happen next and you stop and try to live through until the next day when you hit it again. You have started at six in the morning, say, and may go on until noon or be through before that. When you stop you are as empty, and at the same time never empty but filling, as when you have made love to someone you love. Nothing can hurt you, nothing can happen, nothing means anything until the next day when you do it again. It is the wait until the next day that is hard to get through.
- Hemingway on writing, quoted in a fantastic post entitled "The Daily Routines of Famous Writers."

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I was going to post a different excerpt from this page, but given the events of this past weekend, this one seemed more appropriate instead.

"All I Ever Really Needed to Know I Learned in Kindergarten," by Robert Fulgham
All of what I really need to know about how to live, and what to do, and how to be, I learned in Kindergarten. Wisdom was not at the top of the graduate school mountain, but there in the sandbox at nursery school.

These are the things I learned…

Share everything.
Play fair.
Don't hit people.
Put things back where you found them.
Clean up your own mess.
Don't take things that aren't yours.
Say sorry when you hurt somebody.
Wash your hands before you eat.
Flush.
Warm cookies and cold milk are good for you. Give them to someone who feels sad.
Live a balanced life.
Learn some and think some and draw and paint and sing and dance and play and work every day.
Take a nap every afternoon.
Be aware of wonder.

Remember the little seed in the plastic cup? The roots go down and the plant goes up and nobody really knows how or why, but we are all like that.

Everything you need to know is in there somewhere.

And it is still true, no matter how old you are, when you go out into the world, it is best to hold hands and stick together.

11.13.2012

things I like this week, vol. 36


Literary jokes for the win.

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“After all these years, I see that I was mistaken about Eve in the beginning; it is better to live outside the Garden with her than inside it without her.”
-Mark Twain

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They're tiny perfume-filled glass bottles. You're supposed to violently throw them on the ground to make the room smell pretty. The website gives no recommendation for how to clean up the shards of glass, which implies a level of decadence I'm not sure I'm comfortable with.

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 Indi Apparel in Zocalo magazine. (I am still quite proud of the makeup.)

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Cats. Accompanied by Neruda quotes. (The internet is amazing.)

There is also Calming Manatee.

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From Gatsby, of course.

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Children's books reimagined as minimalist posters.

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An interesting perspective on homosexual marriage: the tradition of "two-spirit" people in Native American tribes.

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A clothing wishlist:


a dress for tango



and a dress for New Year's.

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Bar cart inspiration, and two ideas for drinks:



smoked cocktails (they're apparently a thing. I am intrigued) and . . .



a recipe for apple cider sangria that I will be concocting at the earliest opportunity.

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Lincoln in realistic color.

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Vintage WW2 photographs superimposed on shots taken in the same spot in modern times.

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A river of 10,000 lighted books in Melbourne. At the end of the night they started giving them away to passersby.

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Friends of mine on top of Mt. Lemmon.

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And a poem:
Wild Geese

You do not have to be good.
You do not have to walk on your knees
For a hundred miles through the desert, repenting.
You only have to let the soft animal of your body
love what it loves.
Tell me about despair, yours, and I will tell you mine.
Meanwhile the world goes on.
Meanwhile the sun and the clear pebbles of the rain
are moving across the landscapes,
over the prairies and the deep trees,
the mountains and the rivers.
Meanwhile the wild geese, high in the clean blue air,
are heading home again.
Whoever you are, no matter how lonely,
the world offers itself to your imagination,
calls to you like the wild geese, harsh and exciting --
over and over announcing your place
in the family of things.
-Mary Oliver